What Sketches tell us
‘Architectural Sketch – Prime Minister's House,’ by Zaha Hadid. 1979, Gouache on paper, 20 x 27.8 cm. Image courtesy of Barjeel Art Foundation, Sharjah.
What a privilege it is to reflect over this edition’s special sketch titled ‘Architectural Sketch – Prime Minister's House.’ Here, the ‘Queen of Curves’ —the late Zaha Hadid— is illustrating her signature take on curves and flow in this simple yet complex sketch, said to be the concept design for a new residence and state function for the Irish Prime Minister then.
As explained by Zaha Hadid Architects, this design by the iconic Iraqi British architect explores notions of ‘ground and ground manipulation’ to create private buildings with a sense of ‘weightlessness.’ Designs included a reception block and master suit which ‘float’ above the existing walled garden.
‘Drawing 3,’ by Athar Jaber. 2010, Ink on paper, 22.5 x 30.5 cm. Image courtesy of Barjeel Art Foundation, Sharjah.
Perhaps not many know that this legendary architect had submitted a possible sketch for the design of Ithra. But ultimately the design that won and was built was that by the Norwegian architectural firm Snøhetta.
For this special issue of ‘Sketches,’ from the prestigious Barjeel Art Foundation's collection, we enjoy Hadid’s wonderful sketch, along with others drawn by great Arab artists.
We have a moment from the pulse of the street depicted in the sketch of a simple man by Seif Wanly. The twisted intricately detailed piece by Abdul Hadi El Gazzar here captures Egypt’s modernist movement, while the technical precision of Athar Jaber’s sketch is a modern homage to the art of classical sculpting.
Each piece captures a style, a moment and perhaps a fleeting idea with a lasting impression as it is finally captured on paper.
‘Man,’ by Seif Wanly. 1950, Ink and watercolor on paper, 20.5 x 16.5 cm. Image courtesy of Barjeel Art Foundation, Sharjah.
‘Untitled,’ by Abdel Hadi El Gazzar. Circa 1950’s. Ink on paper, 19.5 x 16 cm. Image courtesy of Barjeel Art Foundation, Sharjah.